Meanwhile, the “Sunday Mercury” continued its publications of the further progress of the “mystery,” from week to week, for a space of nearly two months, until the whole country seemed to have gone ghost-mad. Apparitions and goblins dire were seen in Washington, Rochester, Albany, Montreal, and other cities.
The spiritualists took it up and began to discuss “the Carter Ghost” with the utmost zeal. One startling individual—a physician and a philosopher—emerged from his professional shell into full-fledged glory, as the greatest canard of all, and published revelations of his own intermediate intercourse with the terrific “Carter.” In every nook and corner of the land, tremendous posters, in white and yellow, broke out upon the walls and windows of news-depots, with capitals a foot long, and exclamation-points like drumsticks, announcing fresh installments of the “Ghost” story, and it was a regular fight between go-ahead vendors who should get the next batch of horrors in advance of his rivals.
Nor was the effect abroad the least feature of this stupendous “sell.” The English, French, and German press translated some of the articles in epitome, and wrote grave commentaries thereon. The stage soon caught the blaze; and Professor Pepper, at the Royal Polytechnic Institute, in London, invented a most ingenious device for producing ghosts which should walk about upon the stage in such a perfectly astounding manner as to throw poor Hamlet’s father and the evil genius of Brutus quite into the “shade.” “Pepper’s Ghost” soon crossed the Atlantic, and all our theatres were speedily alive with nocturnal apparitions.
