XII
CONCLUSION
IT may be held that some of the Illustrators whose work we have been considering are but slightly connected with Montmartre, and that there is no such thing as a Montmartre school, Such contentions are both right and wrong, according to the manner in which one cares to approach them.
It is incontestable that in the very informality and independence of their various styles these artists are echoing the spirit of that Montmartre in which they all have spent so many joyous hours. With the "Butte," one associates breeziness, irresponsibility, and a youthful impatience of restraint. From her lofty perch Montmartre can survey at leisure, and if it needs be point the pencil of derision at the world of Paris surging at her feet; but it must not be forgotten that if she be light-hearted she is also ever warm-hearted. Her interest in the follies of-life is even surpassed by her deep sympathy with those who are struggling against its miseries,
