Page:The king's English (IA kingsenglish00fowlrich).pdf/17

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GENERAL PRINCIPLES
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he does know the reflections that the words, if he happens to be reading leisurely enough for reflection, excite in him. As he comes to save, he wonders, Why not except? At sight of ere he is irresistibly reminded of that sad spectacle, a mechanic wearing his Sunday clothes on a weekday. And anent, to continue the simile, is nothing less than a masquerade costume. The Oxford Dictionary says drily of the last word: 'Common in Scotch law phraseology, and affected by many English writers'; it might have gone further, and said '"affected" in any English writer'; such things are antiquarian rubbish, Wardour-Street English. Why not (as our imagined intelligent reader asked)—why not before, except, and about? Bread is the staff of life, and words like these, which are common and are not vulgar, which are good enough for the highest and not too good for the lowest, are the staple of literature. The first thing a writer must learn is, that he is not to reject them unless he can show good cause. Before and except, it must be clearly understood, have such a prescriptive right that to use other words instead is not merely not to choose these, it is to reject them. It may be done in poetry, and in the sort of prose that is half poetry: to do it elsewhere is to insult before, to injure ere (which is a delicate flower that will lose its quality if much handled), and to make one's sentence both pretentious and frigid.

It is now perhaps clear that the Saxon oracle is not infallible; it will sometimes be dumb, and sometimes lie. Nevertheless, it is not without its uses as a test. The words to be chosen are those that the probable reader is sure to understand without waste of time and thought; a good proportion of them will in fact be Saxon, but mainly because it happens that most abstract words—which are by our second rule to be avoided—are Romance. The truth is that all five rules would be often found to give the same answer about the same word or set of words. Scores of illustrations might be produced; let one suffice: In the contemplated eventuality

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