correct modern usage has now established itself. We add three sentences from Burke. The relation between no and none is the same as that between your and yours. In the first sentence, modern usage would write (as the correct no or but a few is uncomfortable) either few or no, or few if any, or no rays or but a few. For the second we might possibly tolerate to their as well as to your own; or we might write to their crown as well as to your own. The third is quite tolerable as it is; but any one who does not like the sound can write and their ancestors and ours. It must always be remembered in this as in other constructions, that the choice is not between a well-sounding blunder and an ill-sounding correctness, but between an ill and a well sounding correctness. The blunder should be ruled out, and if the first form of the correct construction that presents itself does not sound well, another way of putting it must be looked for; patience will always find it. The flexibility gained by habitual selection of this kind, which a little cultivation will make easy and instinctive, is one of the most essential elements in a good style. For a more important illustration of the same principle, the remarks on the gerund in the Syntax chapter (p. 120) may be referred to.
Black bodies, reflecting none or but a few rays.—Burke.
You altered the succession to theirs, as well as to your own crown.—Burke.
They and we, and their and our ancestors, have been happy under that system.—Burke.
3. Formations violating analogy.
And then it is its panache, its careless a-moral Renaissance romance.—Times.
But she is perfectly natural, and while perfectly amoral, no more immoral than a bird or a kitten.—Times.
A- (not) is Greek; moral is Latin. It is at least desirable that in making new words the two languages should not be mixed. The intricate needs of science may perhaps be allowed to override a literary principle of this sort; and
