"I think not, my good Diomed."
"Well, you must sup with me some evening; I have tolerable murænæ[1] in my reservoir, and I will ask Pansa the ædile to meet you."
"O, no state with me!—Persicos odi apparatus, I am easily contented. Well, the day wanes; I am for the baths—and you—"
"To the quæstor—business of state—afterwards to the temple of Isis. Vale!"
"An ostentatious, bustling, ill-bred fellow," muttered Clodius to himself, as he sauntered slowly away. "He thinks with his feasts and his wine-cellars to make us forget that he is the son of a freedman:—and so we will, when we do him the honor of winning his money; these rich plebeians are a harvest for us spendthrift nobles."
Thus soliloquizing, Clodius arrived in the Via Domitiana, which was crowded with passengers and chariots, and exhibited all that gay and animated exuberance of life and motion which we find at this day in the streets of Naples.
The bells of the cars as they rapidly glided by each other, jingled merrily on the ear, and Clodius with smiles or nods claimed familiar acquaintance with whatever equipage was most elegant or fantastic: in fact, no idler was better known in Pompeii.
"What, Clodius! and how have you slept on your good fortune?" cried, in a pleasant and musical voice, a young man, in a chariot of the most fastidious and graceful fashion. Upon its surface of bronze were elaborately wrought, in the still exquisite workmanship of Greece, reliefs of the Olympian games; the two horses that drew the car were of the rarest breed of Parthia; their slender limbs seemed to disdain the ground and court the air, and vet at the slightest touch of the charioteer, who stood behind the young owner of the equipage, they paused motionless, as if suddenly transformed into stone—lifeless, but life-like, as one of the breathing wonders of Praxiteles. The owner himself was of that slender and beautiful symmetry from which the sculptors of Athens drew their models; his Grecian origin betrayed itself in his light but clustering locks, and the perfect harmony of his features. He wore no toga, which in the time of the emperors had indeed ceased to be the general distinction of the Romans, and was especially ridiculed by the pretenders to fashion; but his tunic glowed in the richest hues of the Tyrian dye, and the fibulas, or buckles, by which it was
- ↑ Murænæ—lampreys.
