public resort was frequented; though he endeavoured so to modify them, as might best quiet the agitation of the spectators, and at the same time prevent a reaction of misery when the excitement was over. Tragedies deep and dire were the chief favourites. Comedy brought with it too great a contrast to the inner despair: when such were attempted, it was not unfrequent for a comedian, in the midst of the laughter occasioned by his disproportioned buffoonery, to find a word or thought in his part that jarred with his own sense of wretchedness, and burst from mimic merriment into sobs and tears, while the spectators, seized with irresistible sympathy, wept, and the pantomimic revelry was changed to a real exhibition of tragic passion.
It was not in my nature to derive consolation from such scenes; from theatres, whose buffoon laughter and discordant mirth awakened distempered sympathy, or where fictitious tears and wailings mocked the heart-felt grief within; from festival or crowded meeting, where hila-
