tual alliance to which the world owes the most brilliant romances of the century."
The episode of "The good-man Buvat" will be remembered by readers of this romance (known also as "The Conspirators "). It is a clever piece of character-drawing, but has only a slight-connection with the main plot. The Cellemare conspiracy has provided the principal theme.
This is one of the best of Dumas's stories, and is not yet fully appreciated. Thackeray refers to it admiringly in his "Roundabout Papers"; and Mr. Saintsbury commends it as the most perfect of its author's novels in form—for unhappily Dumas was not always particular about unity and completeness. The contrast between the witty, voluptuous society of the Regency and the fresh, innocent life of Bathilde, is admirable in taste and effect. Captain Roquefinette is the first (off the stage) of the adventurers who occupy such a large place in Dumas's gallery of portraits. He dies finely, too, as do his comrades who come after him—Porthos, D'Artagnan, Maison-Rouge, La Mole, "Morgan," Bannière, and the rest.
"Une Fille du Régent," a sequel to the "Chevalier," was published two or three years later by the same collaborators. It contains one entertaining episode (treating of the Cellamare conspirators, and their life in the Bastille); but it is the plot of
