bitter regret that the said episode had not been omitted, with the rest of like nature; and there is evidence given by M. E. de Goncourt of how greatly Dumas differed in taste on these matters from less scrupulous French writers. M. de Goncourt tells us that he once heard Victor Hugo declare that, had he not been above filching from other authors, he must have yielded to the temptation to appropriate the story of 'Ketty,' 'et de lui donner une forme d'art'. 'Think,' exclaimed Hugo, 'of the marvellously human dénoûment, far finer than any dénoûment of the utmost realism!'[1] It is not difficult to imagine to what luxuriance these materials might have blossomed, under the florid touch of Victor Hugo."
M. Parigot recommends students of Dumas to make the comparison between the romance and the "Mémoires," and judge for themselves how the man of imagination has glorified the material he worked on. "Dumas borrowed, but Dumas selected," he adds.
We may supplement this opinion with a short comparison of our own. Briefly, Dumas owes "D'Artagnan," first, the facts of the hero's life, so far as they concern history. All these are retained, and the famous character goes through the
- ↑ This incident is not to be found, as the reader will infer, in Dumas's romance.
