Naples and Florence, and "earning his keep" by writing most entertaining accounts of his adventures.
On his return "Catherine Howard," "Don Juan" and "Kean" were produced in successive years. "Kean," as played by Frederick Lemaître, made a strong impression on Heine and others, but in spite of its English milieu, the play is so French in spirit as to appeal most to our sense of humour. Thackeray, who was visiting Paris about this period, was terribly shocked by the naïve and earnest irreverence of "Don Juan " and "Caligula." In his "Paris Sketch-book" he has denounced them both, in that bluff "damn-everything-that-isn't-English" style, so cheap, yet so dear to the public.
Dumas had been on familiar terms with the young Duke of Chartres, who succeeded to the title of "Duke of Orleans" (which corresponded to our "Prince of Wales"), when his father obtained the throne. In 1836 our author had stayed with the prince at Compiègne, and when the heir was married in 1837, and fêtes were held at Versailles in honour of the occasion, four crosses of the Legion of Honour were placed at the disposal of the young prince. Dumas received one of them—a knight's cross. Seven years before, on the morrow of "Christine," Louis Philippe himself, at his son's request, had asked for the
