from the deep shadows and wayward lines of others, which call to mind some of the portraits of Rembrandt.
The three tales had tried their fate in vain together, at length they were sent forth separately, and for many months with still-continued ill success. I have mentioned this here, because, among the dispiriting circumstances connected with her anxious visit to Manchester, Charlotte told me that her tale came back upon her hands, curtly rejected by some publisher, on the very day when her father was to submit to his operation. But she had the heart of Robert Bruce within her, and failure upon failure daunted her no more than him. Not only did "The Professor" return again to try his chance among the London publishers, but she began, in this time of care and depressing inquietude,—in those grey, weary, uniform streets, where all faces, save that of her kind doctor, were strange and untouched with sunlight to her,—there and then, did the brave genius begin "Jane Eyre." Read what she herself says:—"Currer Bell's book found acceptance nowhere, nor any acknowledgment of merit, so that something like the chill of despair began to invade his heart." And, remember, it was not the heart of a person who, disappointed in one hope, can turn with redoubled affection to the many certain blessings that remain. Think of her home, and the black shadow of remorse lying over one in it, till his very brain was mazed, and his gifts and his life were lost;—think of her father's sight hanging on a thread;—of her sisters' delicate health, and dependence on her care;—and then admire as it deserves to be admired, the steady
