writers, should learn, that, not from the imagination—not from internal conception—but from the hard cruel facts, pressed down, by external life, upon their very senses, for long months and years together, did they write out what they saw, obeying the stern dictates of their consciences. They might be mistaken. They might err in writing at all, when their afflictions were so great that they could not write otherwise than they did of life. It is possible that it would have been better to have described only good and pleasant people, doing only good and pleasant things (in which case they could hardly have written at any time): all I say is, that never, I believe, did women, possessed of such wonderful gifts, exercise them with a fuller feeling of responsibility for their use. As to mistakes, they stand now—as authors as well as women—before the judgment-seat of God.
"We have not been very comfortable here at home lately. Branwell has, by some means, contrived to get more money from the old quarter, and has led us a sad life. . . . Papa is harassed day and night; we have little peace; he is always sick; has two or three times fallen down in fits; what will be the ultimate end, God knows. But who is without their drawback, their scourge, their skeleton behind the curtain? It remains
