to those sometimes set off in Europe, were extremely fine; and the illumination was brilliant and ingenious. However, the most curious part of the spectacle, in the opinion of Hasselquist, were the spectators themselves, who, seated in a ring on the ground, looked with invincible gravity at the various efforts which were made to amuse them. The Christian guests, immediately on their arrival, were presented with coffee and carpets, and they sat down and imitated the silent manner of the other guests. Hasselquist was assured that the expense of this feast of thirty days would not amount to less than eight thousand ducats; but, in return, the master of the house received presents of immense value on the occasion, not less, it was reported, than thirty camel-loads.
A few days after this circumcision-feast our hakim enjoyed an opportunity of observing one of the inconsistencies of Mohammedan manners. A company of almé, or dancing-girls, came to perform before the window of the consul's house, and, in a country where other women never go out without a veil, exhibited themselves in a state bordering upon that of nature. From the age of Herodotus down to the present day, the Egyptians have always possessed the reputation of being among the most lascivious nations upon earth, and their patronising the performance of these dancing girls, who exhibit themselves with an effrontery which our opera dancers have not hitherto ventured to imitate, is a proof of it. These almé, whose ability is estimated by the greater or less facility with which they inflame the passions of the spectators, are generally country girls, and sometimes married women. They are of a dark complexion. Their dress consists of a single tunic, round the edges of which are suspended a number of small bells and hollow pieces of silver, which, tinkling as they proceed through their voluptuous movements, serve instead of music.
