do not particularly seek to interest him in this scene, telling it only on account of the trouble and strange entanglement which followed), they soon heard a responsive call, in a female voice.
"It was the signorina!" cried Donatello joyfully.
"Yes; it was certainly dear Miriam's voice," said Hilda. "And here she comes! Thank Heaven! Thank Heaven!"
The figure of their friend was now discernible by her own torchlight, approaching out of one of the cavernous passages. Miriam came forward, but not with the eagerness and tremulous joy of a fearful girl, just rescued from a labyrinth of gloomy mystery. She made no immediate response to their inquiries and tumultuous congratulations; and, as they afterwards remembered, there was something absorbed, thoughtful, and self-concentrated in her deportment. She looked pale, as well she might, and held her torch with a nervous grasp, the tremor of which was seen in the irregular twinkling of the flame. This last was the chief perceptible sign of any recent agitation or alarm.
"Dearest, dearest Miriam," exclaimed Hilda, throwing her arms about her friend, "where have you been straying from us? Blessed be Providence, which has rescued you out of that miserable darkness!"
"Hush, dear Hilda!" whispered Miriam, with a strange little laugh. "Are you quite sure that it was Heaven's guidance which brought me back? If so, it was by an odd messenger, as you will confess. See; there he stands."
