makings were carried on near the ranchos, where the more staid citizens of Ega, husbands with their wives and young daughters, all smoking gravely out of long pipes, sat in their hammocks and enjoyed the fun. Towards midnight we often heard, in the intervals between jokes and laughter, the hoarse roar of jaguars prowling about the jungle in the middle of the praia. There were several guitar-players amongst the young men, and one most persevering fiddler, so there was no lack of music.
The favourite sport was the Pira-purasséya, or fish-dance, one of the original games of the Indians, though now probably a little modified. The young men and women, mingling together, formed a ring, leaving one of their number in the middle, who represented the fish. They then all marched round, Indian file, the musicians mixed up with the rest, singing a monotonous but rather pretty chorus, the words of which were invented (under a certain form) by one of the party who acted as leader. This finished, all joined hands, and questions were put to the one in the middle, asking what kind of fish he or she might be. To these the individual has to reply. The end of it all is that he makes a rush at the ring, and if he succeeds in escaping, the person who allowed him to do so has to take his place; the march and chorus then recommence, and so the game goes on hour after hour. Tupí was the language mostly used, but sometimes Portuguese was sung and spoken. The details of the dance were often varied. Instead of the names of fishes being called over by the person in the middle, the name of some animal, flower, or other object
