each is intimately bound up with the other two. For my part, I think the cultural questions are the most important, both for China and for mankind; if these could be solved, I would accept, with more or less equanimity, any political or economic system which ministered to that end. Unfortunately, however, cultural questions have little interest for practical men, who regard money and power as the proper ends for nations as for individuals. The helplessness of the artist in a hard-headed business community has long been a commonplace of novelists and moralizers, and has made collectors feel virtuous when they bought up the pictures of painters who had died in penury. China may be regarded as an artist nation, with the virtues and vices to be expected of the artist: virtues chiefly useful to others, and vices chiefly harmful to oneself. Can Chinese virtues be preserved? Or must China, in order to survive, acquire, instead, the vices which make for success and cause misery to others only? And if China does copy the model set by all foreign nations with which she has dealings, what will become of all of us?
China has an ancient civilization which is now undergoing a very rapid process of change. The traditional civilization of China had developed in almost complete independence of Europe, and had merits and demerits quite different from those of the West. It would be futile to attempt to strike a balance; whether our present culture is better or worse, on the whole, than that which seventeenth-century missionaries found in the Celestial Empire is a question as to which no prudent person would venture to pronounce. But it is easy to point to certain respects in which we are better than
