The Chinese Emperor was the Son of Heaven, so the Mikado came to be descended from the Sun Goddess. The Chinese Emperor, whenever he happened to be a vigorous man, was genuinely supreme, so the Mikado must be made so.
The similarity of the influence of China in producing the Restoration of 645 A.D. and that of Europe in producing the Restoration of 1867–8 is set forth by Murdoch[1] as follows:—
In the summer of 1863 a band of four Choshu youths were smuggled on board a British steamer by the aid of kind Scottish friends who sympathized with their endeavour to proceed to Europe for purposes of study. These, friends possibly did not know that some of the four had been protagonists in the burning down of the British Legation on Gotenyama a few months before, and they certainly could never have suspected that the real mission of the four youths was to master the secrets of Western civilization with a sole view of driving the Western barbarians from the sacred soil of Japan. Prince Ito and Marquis Inouye—for they were two of this venturesome quartette—have often told of their rapid disillusionment when they reached London, and saw these despised Western barbarians at home. On their return to Japan they at once became the apostles of a new doctrine, and their effective preaching has had much to do with the pride of place Dai Nippon now holds among the Great Powers of the world.
The two students who went to China in 608 A.D. "rendered even more illustrious service to their country perhaps than Ito and Inouye have done. For at the Revolution of 1868, the leaders of the movement harked back to the 645–650 A.D. period for a good deal of their inspiration, and the real men of political knowledge at that time were the two National Doctors."
- ↑ Murdoch I. p. 147.
