his sangfroid and his bravery during the whole of the panic-stricken retreat of the Moscow campaign.
It is, moreover, to this period that we date Stendhal's liaison with Mme. Daru the wife of his aged relative, M. Daru. This particular intrigue has, moreover, a certain psychological importance in that Mme. Daru constituted the model on whom Mathilde de la Mole was drawn in The Red and the Black. The student and historian consequently who is anxious to check how far the novelist is drawing on his experience and how far on his imagination can compare with profit the description of the Mathilde episode in The Red and the Black with those sections in Stendhal's Journal entitled the Life and Sentiments of Silencious Harry, Memoirs of my Life during my Amour with Countess Palfy, and also with the posthumous fragment, Le Consultation de Banti, a piece of methodical deliberation on the pressing question. "Dois-je ou ne dois-je pas avoir la duchesse?" written with all the documentary coldness of a Government report. It is characteristic that both Bansi and Julien decide in the affirmative as a matter of abstract principle. For they both feel that they must necessarily reproach themselves in after life if they miss so signal an opportunity.
Disgusted by the Restoration, Stendhal migrated in 1814 to Milan, his favourite town in Europe, whose rich and varied life he savoured to the full from the celebrated ices in the entreates of the opera, to the reciprocated interest of Mme. Angelina Pietragrua (the Duchesse de Sansererina of the Chartreuse of Parma), "a sublime wanton à la Lucrezia Borgia" who would appear to have deceived him systematically. It was in Milan that Stendhal first began to write for publication,
