For instance, Mathilde would not have missed mass on Sunday for anything in the world. She accompanied her mother there nearly every time. If when in the salon of the hôtel de La Mole some indiscreet man forgot where he was, and indulged in the remotest allusion to any jest against the real or supposed interests of Church or State, Mathilde immediately assumed an icy seriousness. Her previously arch expression re-assumed all the impassive haughtiness of an old family portrait.
But Julien had assured himself that she always had one or two of Voltaire's most philosophic volumes in her room. He himself would often steal some tomes of that fine edition which was so magnificently bound. By moving each volume a little distance from the one next to it he managed to hide the absence of the one he took away, but he soon noticed that someone else was reading Voltaire. He had recourse to a trick worthy of the seminary and placed some pieces of hair on those volumes which he thought were likely to interest mademoiselle de La Mole. They disappeared for whole weeks.
M. de La Mole had lost patience with his bookseller, who always sent him all the spurious memoirs, and had instructed Julien to buy all the new books, which were at all stimulating. But in order to prevent the poison spreading over the household, the secretary was ordered to place the books in a little book-case that stood in the marquis's own room. He was soon quite certain that although the new books were hostile to the interests of both State and Church, they very quickly disappeared. It was certainly not Norbert who read them.
Julien attached undue importance to this discovery, and attributed to mademoiselle de La Mole a Macchiavellian rôle. This seeming depravity constituted a charm in his eyes, the one moral charm, in fact, which she possessed. He was led into this extravagance by his boredom with hypocrisy and moral platitudes.
It was more a case of his exciting his own imagination than of his being swept away by his love.
It was only after he had abandoned himself to reveries about the elegance of mademoiselle de La Mole's figure, the excellent taste of he dress, the whiteness of her hand, the beauty of her arm, the disinvoltura of all her movements, that
