order in the phrase; the possessors of an alien word, with the thought it secures, would find also their advantage.
So with French humour. It is expressly and signally for English ears. It is so even in the commonest farce. The unfortunate householder, for example, who is persuaded to keep walking in the conservatory "pour rétablir la circulation," and the other who describes himself "sous-chef de bureau dans l'enregistrement," and he who proposes to "faire hommage" of a doubtful turbot to the neighbouring "employé de l'octroi"—these and all their like speak commonplaces so usual as to lose in their own country the perfection of their dulness. We only, who have the alternative of plainer and fresher words, understand it. It is not the least of the advantages of our own dual English that we become sensible of the mockery of certain phrases that in France have lost half their ridicule, uncontrasted.
Take again the common rhetoric that has fixed itself in conversation in all Latin languages—rhetoric that has ceased to have allusions, either majestic or comic. To the ear somewhat unused to French this proffers a frequent comedy that the well-accustomed ear,
