of the bull, offered him the cape. The bull's tail went up and he charged, and Romero moved his arms ahead of the bull, wheeling, his feet firmed. The dampened, mud-weighted cape swung open and full as a sail fills, and Romero pivoted with it just ahead of the bull. At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero's cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away.
In his own bulls he was perfect. His first bull did not see well. After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bull-fighting. It was only perfect bull-fighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.
"Why don't they change him?" Brett asked.
"They've paid for him. They don't want to lose their money."
"It's hardly fair to Romero."
"Watch how he handles a bull that can't see the color."
"It's the sort of thing I don't like to see."
It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull's charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it. They thought Romero
