Those familiar with ideas can tell at sight a German idea, an American idea, a Russian idea, a Roman Catholic idea, and so on. Each nation has its fundamental idea, its mother idea, the idea of which all other characteristic ideas are children. As Dostoieffsky says: "No nation has ever been founded on science and reason; it has always grown about some central idea."
It is a remarkable fact that, although Russia is a great composite empire with an enormous number of small nations and tribes under her rule, she is not a country of mixed ideas. Her literature, art, music, philosophy, religion, her theatre, her dancing, is something intrinsically Russian. No Poles, Finns, Jews, Armenians, Kirghiz, contribute to it. No German-Russians contribute to it. Of all the names by which Russia is known as a nation mighty in art and in thought, not one belongs to the subject nations. In literature—Dostoieffsky, Turgenief, Tolstoy, Gogol, Pushkin, Chekhof, Gorky, Balmont;
in painting—Vasnetsof, Nesterof, Verestchagin,
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