who carried him off to their villa at Desenzano on Lago di Garda where he passed a happy month, followed by a night in Verona and a week in Venice. On his way back across Italy his passport was stolen and he became a beach-comber in Genoa. He has described his life there to me: "Wine and figs and pasta. And sunlight! And amusing companions, dozens of other beach-combers roving the dockyards and water-front streets, getting their heads whacked by the Fascisti, and breaking one loaf of bread into so many pieces that nobody got more than a crumb. I lived in the public gardens along the water-front and slept in the Albergo Populare for two lire a night amidst the snores of hundreds of other derelicts. . . . I painted my way home as a sailor. It seems that I must have painted the whole ship myself. We made a regular 'grand tour': Livorno, Napoli (we passed so close to Capri I could have cried). Then all around Sicily—Catania, Messina, Palermo—the Lipari Islands, miserable little peaks of pumice stone out in the sea; then across to Spain, divine Spain! My buddy and I went on a spree in Valencia for a night and a day. . . . Oh, the sweet wine of Valencia!"
He arrived in New York on November 10, 1924. That evening I attended a dance given in Harlem by the National Association for the Advancement of Colored People. Some time during the course of the night, Walter White asked me to meet two young Negro poets. He introduced me to Countée Cullen and Langston Hughes. Before that moment I had never heard of either of them.
II
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