fore he could appreciate form as depicted in a painting or drawing, having hitherto learned to consider pictures as flat objects. When, however, he began to understand the power of light and shade in producing the representations of solid objects, he was often extremely surprised to find the surface on which they were depicted quite flat when he touched it. The same thing frequently happens to ourselves, when looking at the photographs of bas-reliefs for instance. If these objects be well photographed, with the proper arrangement of light and shade, the illusion is so complete that the finger involuntarily touches the paper to feel if the surface is not really raised. In the Bourse at Paris there are some figures painted to represent bas-reliefs in so wonderful a manner, that numberless bets have been made, lost and won, over them. When feeling such representations of solid objects, the boy would often ask those around him which of his senses was deceiving him, his sight or his touch.
At first he saw everything of an enormous size, but as he saw things larger than those around him, he found the latter diminish. He also imagined that there was nothing beyond the room he was in, and could not be brought to comprehend how the house could be larger. When the sight of the second eye was restored to him a year afterwards, he at first saw every object of an enormous size, just as in the case of the first eye; but as he had now the perfectly educated organ to help him as well as his sense of touch, he soon began to see things under their natural appearances.
While he was in ignorance of what sight really meant, he was not particularly anxious to undergo the operation, saying that he did not think it possible to derive more pleasure from things that he liked than he did while he was blind. But now that his sight was restored he found every fresh object a new pleasure. When
