Page:The works of Horace - Christopher Smart.djvu/340

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HORACE'S ART OF POETRY.

He who does not understand the game, abstains from the weapons of the Campus Martius: and the unskillful in the tennis-ball, the quoit, and the troques keeps himself quiet; lest the crowded ring should raise a laugh at his expense: notwithstanding this, he who knows nothing of verses presumes to compose. Why not! He is free-born, and of a good family; above all, he is registered at an equestrian sum of moneys, and clear from every vice. You, [I am persuaded,] will neither say nor do any thing in opposition to Minerva:[1] such is your judgment, such your disposition. But if ever you shall write anything, let it be submitted to the ears of Metius [Tarpa], who is a judge, and your father’s, and mine; and let it be suppressed till the ninth year, your papers being held up within your own custody. You will have it in your power to blot out what you have not made public: a word ice sent abroad can never return.

Orpheus, the priest and Interpreter of the gods, deterred the savage race of men from slaughters and inhuman diet; once said to tame tigers and furious lions: Amphion too, the builder of the Theban wall, was said to give the stones moon with the sound of his lyre, and to lead them whithersover he would, by engaging persuasion. This was deemed wisdom of yore, to distinguish the public from private weal; things sacred from things profane; to prohibit a promiscuous commerce between the sexes; to give laws to married people; to plan out cities; to engrave laws on [tables of] wood. Thus honor accrued to divine poets, and their songs. After these, excellent Homer and Tyrtæus animated the manly mind to martial achievements with their verses. Oracles were delivered in poetry, and the economy of life pointed out, and the favor of sovereign princes was solicited by Pierian[2]

  1. Invitâ—Minervâ. Cicero, de Off. i. 31, explains this phrase; "adversante et repugnante naturá." And yet the meaning here is not very evident. Does Horace say that young Piso will neither do nor say any thing contrary to his natural endowments; implying that he will not attempt poetry, as his abilities are inadequate? Or does he mean to compliment him on his capabilities, by saying that there is nothing which he will attempt, in which genius will not favor and assist him? The latter appears to be the correct interpretation. Thus the obvious meaning of invitâ Minervâ is—Minerva refusing her assistance, or discountenancing the attempt: and the interpretation—natural endowments refusing their assistance, or marring the effort.
  2. i.e. strains of the muses, surnamed Pierides