This page has been validated.
THE MYSTERY OF MARIE ROGET.
213
THE MYSTERY OF MARIE ROGET.[1]
A SEQUEL TO "THE MURDERS IN THE RUE MORGUE."
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Rule_Segment_-_Wave_-_40px.svg/40px-Rule_Segment_-_Wave_-_40px.svg.png)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Rule_Segment_-_Wave_-_40px.svg/40px-Rule_Segment_-_Wave_-_40px.svg.png)
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Rule_Segment_-_Wave_-_40px.svg/40px-Rule_Segment_-_Wave_-_40px.svg.png)
Es giebt eine Reihe idealischer Begebenheiten, die der Wirklichkeit parallel lauft. Selten fallen sie zusammen. Menschen und zufalle modificiren gewohulich die idealische Begebenheit, so dass sie unvollkommen erscheint, und ihre Folgen gleichfalls unvollkommen sind. So bei der Reformation; statt des Protestantismus kam das Lutherthum hervor.
There are ideal series of events which run parallel with the real ones. They rarely coincide. Men and circumstances generally modify the ideal train of events, so that it seems imperfect, and its consequences are equally imperfect. Thus with the Reformation; instead of Protestantism came Lutheranism.—Novalis.[2] Moral Ansichten.
There are few persons, even among the calmest thinkers, who have not occasionally been startled into a vague yet thrilling half-credence in the supernatural, by coincidences of so seemingly marvellous a character that, as mere coincidences, the intellect has been unable to receive them. Such sentiments—for the half-
- ↑ Upon the original publication of "Marie Rogêt," the foot-notes now appended were considered unnecessary; but the lapse of several years since the tragedy upon which the tale is based, renders it expedient to give them, and also to say a few words in explanation of the general design. A young girl, Mary Cecilia Rogers, was murdered in the vicinity of New York; and, although her death occasioned an intense and long-enduring excitement, the mystery attending it had remained unsolved at the period when the present paper was written and published (November, 1842). Herein, under pretence of relating the fate of a Parisian grisette, the author has followed, in minute detail, the essential, while merely paralleling the inessential facts of the real murder of Mary Rogers. Thus all argument founded upon the fiction is applicable to the truth: and the investigation of the truth was the object.
The "Mystery of Marie Rogêt" was composed at a distance from the scene of the atrocity, and with no other means of investigation than the newspapers - ↑ The nom de plume of Von Hardenburg.