THE NEW PHASE
barbaric aspects of existence by a less ignoble adventure.
There is no natural life of man. He is, and always has been, a sheath of varied and even incompatible possibilities, a palimpsest of inherited dispositions. It was the habit of many writers in the early twentieth century to speak of competition and the narrow, private life of trade and saving and suspicious isolation as though such things were in some exceptional way proper to the human constitution, and as though openness of mind and a preference for achievement over possession were abnormal and rather unsubstantial qualities. How wrong that was the history of the decades immediately following the establishment of the world republic witnesses. Once the world was released from the hardening insecurities of a needless struggle for life that was collectively planless and individually absorbing, it became apparent that there was in the vast mass of people a long, smothered passion to make things. The world broke out into making, and at first mainly into æsthetic making. This phase of history, which has been not inaptly termed the "Efflorescence," is still, to a large extent, with us. The majority of our population consists of artists, and the bulk of activity in the world lies no longer with neces-
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