THE WORLD SET FREE
up to Hampstead Heath, which he had known when he was a little boy as a breezy playground. He went up by the underground tube that was then the recognised means of travel from one part of London to another, and walked up Heath Street from the tube station to the open heath. He found it a gully of planks and scaffoldings between the hoardings of house-wreckers. The spirit of the times had seized upon that narrow, steep, and winding thoroughfare, and was in the act of making it commodious and interesting, according to the remarkable ideals of Neo-Georgian æstheticism. Such is the illogical quality of humanity that Holsten, fresh from work that was like a petard under the seat of current civilisation, saw these changes with regret. He had come up Heath Street perhaps a thousand times, had known the windows of all the little shops, spent hours in the vanished cinematograph theatre, and marvelled at the high-flung early Georgian houses upon the westward bank of that old gully of a thoroughfare; he felt strange with all these familiar things gone. He escaped at last with a feeling of relief from this choked alley of trenches and holes and cranes, and emerged upon the old familiar scene about the White Stone Pond. That, at least, was very much as it used to be.
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