Page:This Side of Paradise - Fitzgerald - 1920.djvu/47

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AMORY, SON OF BEATRICE
33

there was one stunning young brunette who made him sit with brimming eyes in the ecstasy of watching her dance.

"Oh—you—wonderful girl,
What a wonderful girl you are—"

sang the tenor, and Amory agreed silently, but passionately.

"All—your—wonderful words
Thrill me through——"

The violins swelled and quavered on the last notes, the girl sank to a crumpled butterfly on the stage, a great burst of clapping filled the house. Oh, to fall in love like that, to the languorous magic melody of such a tune!

The last scene was laid on a roof-garden, and the 'cellos sighed to the musical moon, while light adventure and facile froth-like comedy flitted back and forth in the calcium. Amory was on fire to be an habitué of roof-gardens, to meet a girl who should look like that—better, that very girl; whose hair would be drenched with golden moonlight, while at his elbow sparkling wine was poured by an unintelligible waiter. When the curtain fell for the last time he gave such a long sigh that the people in front of him twisted around and stared and said loud enough for him to hear:

"What a remarkable-looking boy!"

This took his mind off the play, and he wondered if he really did seem handsome to the population of New York.

Paskert and he walked in silence toward their hotel. The former was the first to speak. His uncertain fifteen-year-old voice broke in in a melancholy strain on Amory's musings:

"I'd marry that girl to-night."