Now here there is an interesting and important observation to be met. Surely, it may be urged against our distinction, the very greatest achievements of all in art, and the very most beautiful and splendid things in nature, appeal to everybody, ordinary people and others, so that we must not set down the universality of appeal in beautiful things as a character which implies a trivial or superficial character in them. That is to say, it seems as if some easy beauty were yet beauty of the highest type.
In answer to this, I incline to think we ought to distinguish between the easier types of beauty and what might be called simple victorious or triumphant beauty; between the Venus dei Medici and the Venus of Milo; between the opening of Marmion and the first chorus of the Agamemnon. I take it that very great works of art often possess simple aspects which have a very wide appeal, partly for good reasons, partly also for less good ones. We shall see a good reason below.
