of our ordinary person, we find, I should say, that the recent movements in pictorial art have at least included phases which have enabled him to see the world with a larger and more penetrating imagination. Whatever endows him with a new gift of sight, he must suppose, I think, to be a gain. And the rapprochement between Greek and modern art and drama has immensely advanced of late, through the whole movement towards simplification of stage accompaniments and of dramatic structure. We are enabled to see and feel Greek art as straightforwardly human, sharing in the direct and passionate expression which we also find at our own doors. It is a great lesson to have learned that all good art is one. The recent revelations from China and Japan have, of course, borne strongly in this direction.
Thus I suggest that the ordinary man’s education in the beautiful, since, say, the ’sixties, has been on the whole a homecoming from fairyland to simple vision and humanity. And of course he will keep his
