which matter most, and that the sordid battles of political theorists for intellectual victories and argumentative triumphs are of very secondary importance.
One or two of the Delegates went to the green room between the scenes to discover how far the new order of Society was satisfying to the artists. One of the chief of these was asked if he experienced as much sympathy and appreciation from the new type of audience as the old, and whether he liked singing to the new as well as to the old. He replied that to him the social position of the members of his audience did not matter; that the mere appendages of the old-time theatre, the dresses, the fans, the flowers and other fripperies meant nothing at all; that understanding and sympathy were everything to the singer, and that in these things, there was no difference between the old and the new.
The audiences were certainly very attentive and most appreciative. They were composed in the main of quiet working folk and professional men and women. There were very few good clothes, but everybody was neat and tidy except about the feet. The only thing I noticed which seemed to indicate that many in the audience were new to the music was the applause when the curtain descended and before the orchestra finished. The "clappers" were reproved by the
