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IX. THANKSGIVING.
63

and the dance given as characteristic of modern time was the Cancan, which you will see alluded to in the extract given in the note at page 80 of 'Sesame and Lilies' (the small edition; and page 54 of Vol. I. of the Revised Series of the Entire Works). "The ball terminated with a Devilish Chain and a Cancan of Hell, at seven in the morning." It was led by four principal dancers (who have since appeared in London in the Huguenot Captain), and it is many years since I have seen such perfect dancing, as far as finish and accuracy of art and fulness of animal power and fire are concerned. Nothing could be better done, in its own evil way, the object of the dance throughout being to express, in every gesture, the wildest fury of insolence and vicious passions possible to human creatures. So that you see, though, for the present, we find ourselves utterly incapable of a rapture of gladness or thanksgiving, the dance which is presented as characteristic of modern civilization is still rapturous enough—but it is with rapture of blasphemy.