TO THE LIGHTHOUSE
one for a year, or the better part of one; and then Davie Macdonald, and seeds might be sent, but who should say if they were ever planted? They'd find it changed.
She watched her son scything. He was a great one for work—one of those quiet ones. Well they must be getting along with the cupboards, she supposed. They hauled themselves up.
At last, after days of labour within, of cutting and digging without, dusters were nicked from the windows, the windows were shut to, keys were turned all over the house; the front door was banged; it was finished.
And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music which the ear half catches but lets fall; a bark, a bleat; irregular, intermittent, yet somehow related; the hum of an insect, the tremor of cut grass, dissevered yet somehow belonging; the jar of a dorbeetle, the squeak of a wheel, loud, low, but mysteriously related; which the ear strains to bring together and is always on the verge of harmonising, but they are never quite heard, never fully harmonised, and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost, and
