THE WINDOW
this mass on the right hand with that on the left. She might, do it by bringing the line of the branch across so; or break the vacancy in the foreground by an object (James perhaps) so. But the danger was that by doing that the unity of the whole might be broken. She stopped; she did not want to bore him; she took the canvas lightly off the easel.
But it had been seen; had been taken from her. This man had shared with her something profoundly intimate. And, thanking Mr. Ramsay for it and Mrs. Ramsay for it and the hour and the place, crediting the world with a power which she had not suspected—that one could walk away down that long gallery not alone any more but arm in arm with somebody—the strangest feeling in the world, and the most exhilarating—she nicked the catch of her paint-box to, more firmly than was necessary, and the nick seemed to surround in a circle forever the paint-box, the lawn, Mr. Bankes, and that wild villain, Cam, dashing past.
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For Cam grazed the easel by an inch; she would not stop for Mr. Bankes and Lily Briscoe; though Mr. Bankes, who would have liked a daughter of his own, held out his hand; she would not stop for
