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TO THE LIGHTHOUSE

fishing them up out of her mind by a phrase which, coming back from some party, she had made to amuse her husband. Dear, dear, Mrs. Ramsay said to herself, how did they produce this incongruous daughter? this tomboy Minta, with a hole in her stocking? How did she exist in that portentous atmosphere where the maid was always removing in a dust-pan the sand that the parrot had scattered, and conversation was almost entirely reduced to the exploits—interesting perhaps, but limited after all—of that bird? Naturally, one had asked her to lunch, tea, dinner, finally to stay with them up at Finlay, which had resulted in some friction with the Owl, her mother, and more calling, and more conversation, and more sand, and really at the end of it, she had told enough lies about parrots to last her a lifetime (so she had said to her husband that night, coming back from the party). However, Minta came. . . . Yes, she came, Mrs. Ramsay thought, suspecting some thorn in the tangle of this thought; and disengaging it found it to be this: a woman had once accused her of "robbing her of her daughter's affections"; something Mrs. Doyle had said made her remember that charge again. Wishing to dominate, wishing to interfere, making people do what she wished—that was the charge against her, and she thought it most unjust. How could she help

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