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OUR PROGRESS
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"Where ye been, Susan?" said my uncle.

"Birkbeck—Physiology. I'm getting on." She sat down and took off her gloves. "You're just glass to me," she sighed, and then in a note of grave reproach: "You old Package! I had no idea! The Things you've kept from me!" . . .

Presently they were setting up the house at Beckenham, and my aunt intermitted her intellectual activities. The house at Beckenham was something of an enterprise for them at that time, a reasonably large place by the standards of the early years of Tono-Bungay. It was a big, rather gaunt villa, with a conservatory and a shrubbery, a tennis-lawn, a quite considerable vegetable garden, and a small disused coach-house. I had some glimpses of the excitements of its inauguration, but not many because of the estrangement between my aunt and Marion.

My aunt went into that house with considerable zest, and my uncle distinguished himself by the thoroughness with which he did the repainting and replumbing. He had all the drains up and most of the garden with them, and stood administrative on heaps—administrating whisky to the workmen. I found him there one day, most Napoleonic, on a little Elba of dirt, in an atmosphere that defies print. He also, I remember, chose what he considered cheerful contrasts of colours for the painting of the woodwork. This exasperated my aunt extremely—she called him a "Pestilential old Splosher" with an unusual note of earnestness—and he also enraged her into novelties of abuse by giving each bedroom the name of some favourite hero—Clive, Napoleon, Cæsar, and so forth—and having it painted on the door in gilt letters on a black label. "Martin Luther" was kept for me. Only her respect for domestic