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TONO-BUNGAY

dormer window on a shelf above great stores of tea and spices, I became familiar with much of Hogarth in a big portfolio, with Raphael—there was a great book of engravings from the stanzas of Raphael in the Vatican—and with most of the capitals of Europe as they had looked about 1780, by means of several big iron-moulded books of views. There was also a broad eighteenth-century atlas with huge wandering maps that instructed me mightily. It had splendid adornments about each map title; Holland showed a fisherman and his boat; Russia a Cossack; Japan, remarkable people attired in pagodas—I say it deliberately, "pagodas." There were Terrae Incognitae in every continent then, Poland, Sarmatia, lands since lost; and many a voyage I made with a blunted pin about that large, incorrect and dignified world. The books in that little old closet had been banished, I suppose, from the saloon during the Victorian revival of good taste and emasculated orthodoxy, but my mother had no suspicion of their character. So I read and understood the good sound rhetoric of Tom Paine's "Rights of Man," and his "Common Sense," excellent books, once praised by bishops and since sedulously lied about. Gulliver was there unexpurgated, strong meat for a boy perhaps, but not too strong I hold—I have never regretted that I escaped niceness in these affairs. The satire of Traldragdubh made my blood boil as it was meant to do, but I hated Swift for the Houyhnhnms and never quite liked a horse afterwards. Then I remember also a translation of Voltaire's "Candide," and "Rasselas;" and, vast book though it was, I really believe I read, in a muzzy sort of way of course, from end to end, and even with some reference now and then to the Atlas, Gibbon—in twelve volumes.