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TONO-BUNGAY

age for me, the man of luck and advertisement, the current master of the world. There he stands upon the great outward sweep of the terrace before the huge main entrance, a little figure, ridiculously disproportionate to that forty-foot arch, with the granite ball behind him—the astronomical ball, brass coopered, that represented the world, with a little adjustable tube of lenses on a gun-metal arm that focussed the sun upon just that point of the earth on which it chanced to be shining vertically. There he stands, Napoleonically grouped with his retinue, men in tweeds and golfing-suits, a little solicitor, whose name I forget, in grey trousers and a black jacket, and Westminster in Jaeger underclothing, a floriferous tie, and a peculiar brown cloth of his own. The downland breeze flutters my uncle's coat-tails, disarranges his stiff hair, and insists on the evidence of undisciplined appetites in face and form, as he points out this or that feature in the prospect to his attentive collaborator.

Below are hundreds of feet of wheeling-planks, ditches, excavations, heaps of earth, piles of garden stone from the Wealden ridges. On either hand the walls of his irrelevant unmeaning palace rise. At one time he had working in that place—disturbing the economic balance of the whole countryside by their presence—upwards of three thousand men. . . .

So he poses for my picture amidst the raw beginnings that were never to be completed. He did the strangest things about that place, things more and more detached from any conception of financial scale, things more and more apart from sober humanity. He seemed to think himself at last, released from any such limitations. He moved a quite considerable hill, and nearly sixty mature trees were moved with it to open his prospect eastward,