eyes met, and in hers I could see startled interrogations.
"I'm going," I said, "to the west coast of Africa."
They asked questions, but it suited my mood to be vague.
"We've interests there. It is urgent I should go. I don't know when I may return."
After that I perceived Beatrice surveyed me steadily.
The conversation was rather difficult. I embarked upon lengthy thanks for their kindness to me after my accident. I tried to understand Lady Osprey's game of patience, but it didn't appear that Lady Osprey was anxious for me to understand her patience. I came to the verge of taking my leave.
"You needn't go yet," said Beatrice, abruptly.
She walked across to the piano, took a pile of music from the cabinet near, surveyed Lady Osprey's back, and with a gesture to me dropped it all deliberately on to the floor.
"Must talk," she said, kneeling close to me as I helped her to pick it up. "Turn my pages. At the piano."
"I can't read music."
"Turn my pages."
Presently we were at the piano, and Beatrice was playing with noisy inaccuracy. She glanced over her shoulder and Lady Osprey had resumed her patience. The old lady was very pink, and appeared to be absorbed in some attempt to cheat herself without our observing it.
"Isn't West Africa a vile climate?" "Are you going to live there?" "Why are you going?"
Beatrice asked these questions in a low voice and
