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TONO-BUNGAY

and that night shared his room, and after an hour or so of sleep he woke up in a raging fever and with a wandering mind, cursing Neal and repeating long inaccurate lists of figures. He was manifestly a case for a doctor, and in the morning we got one in. He was a young man from Montpelier, just beginning to practise, and very mysterious and technical and modern and unhelpful. He spoke of cold and exposure, and la grippe and pneumonia. He gave many explicit and difficult directions. . . . I perceived it devolved upon me to organize nursing and a sick-room. I installed a religieuse in the second bedroom of the inn, and took a room for myself in the inn of Port de Luzon, a quarter of a mile away.


§7

And now my story converges on what, in that queer corner of refuge out of the world, was destined to be my uncle's deathbed. There is a background of the Pyrenees, of blue hills and sunlit houses, of the old castle of Luzon and a noisy cascading river, and for a foreground the dim stuffy room whose windows both the religieuse and hostess conspired to shut, with its waxed floor, its four-poster bed, its characteristically French chairs and fireplace, its champagne bottles and dirty basins and used towels and packets of Somatosé on the table. And in the sickly air of the confined space behind the curtains of the bed lay my little uncle, with an effect of being enthroned and secluded, or sat up, or writhed and tossed in his last dealings with life. One went and drew back the edge of the curtains if one wanted to speak to him or look at him.