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AT WIMBLEHURST

predominantly and constantly he talked of getting on, of enterprises, of inventions and great fortunes, of Rothschilds, silver kings, Vanderbilts, Goulds, flotations, realizations and the marvellous ways of Chance with men—in all localities, that is to say, that are not absolutely sunken to the level of Cold Mutton Fat.

When I think of those early talks, I figure him always in one of three positions. Either we were in the dispensing lair behind a high barrier, he pounding up stuff in a mortar perhaps, and I rolling pill-stuff into long rolls and cutting it up with a sort of broad, fluted knife, or he stood looking out of the shop door against the case of sponges and spray-diffusers, while I surveyed him from behind the counter, or he leant against the little drawers behind the counter, and I hovered dusting in front. The thought of those early days brings back to my nostrils the faint smell of scent that was always in the air, marbled now with streaks of this drug and now of that, and to my eyes the rows of jejune glass bottles with gold labels, mirror-reflected, that stood behind him. My aunt, I remember, used sometimes to come into the shop in a state of aggressive sprightliness, a sort of connubial ragging expedition, and get much fun over the abbreviated Latinity of those gilt inscriptions. "Ol Amjig, George," she would read derisively, "and he pretends it's almond oil! Snap!—and that's mustard. Did you Ever, George?

"Look at him, George, looking dignified. I'd like to put an old label on to him round the middle like his bottles are, with Ol Pondo on it. That's Latin for Impostor, George—must be. He'd look lovely with a stopper."

"You want a stopper," said my uncle, projecting his face. . . .