the distorted shadows, and curving the gallery lines into the curves of a ship. The day was shutting down in half a gale as the fog turned to stringy scud. Through the uncurtained mullions of the broad window I could see valiant horsemen of the lawn rear and recover against the wind that taunted them with legions of dead leaves.
'Yes, it must be beautiful,' she said. 'Would you like to go over it? There's still light enough upstairs.'
I followed her up the unflinching, wagon-wide staircase to the gallery whence opened the thin fluted Elizabethan doors.
'Feel how they put the latch low down for the sake of the children.' She swung a light door inward.
'By the way, where are they?' I asked. 'I haven't even heard them to-day.'
She did not answer at once. Then, 'I can only hear them,' she replied softly. 'This is one of their rooms—everything ready, you see.'
She pointed into a heavily-timbered room. There were little low gate tables and children's chairs. A doll's house, its hooked front half open, faced a great dappled rocking-horse, from whose padded saddle it was but a child's scramble to the broad window-seat overlooking the lawn. A toy gun lay in a corner beside a gilt wooden cannon.
'Surely they've only just gone,' I whispered. In the failing light a door creaked cautiously. I heard the rustle of a frock and the patter of feet—quick feet through a room beyond.
