lime’ continue a distinguishing feature in the landscape. Even the cottages are generally of a dazzling white, and adorned with the woodbine and eglantine—images which so often occur in the productions of the bard.
The last lines of the poem, in which the poet describes himself as gathering flowers to decorate the grave of Ivor, allude to a usage still prevalent in Glamorganshire and other parts of Wales, where it is considered a mark of respect and affection to plant flowers over the remains of the dead. Without adverting to this beautiful custom, the pathetic lines with which the bard concludes would not be fully understood. It will appear from the life of the poet, that the county of Glamorgan was to him—as he represents it in this poem—a land of hospitable patrons and kind protectors, whose mansions were ever open to receive him, and by whose generosity he was released from prison in the extremity of his distress.
