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THE SWEETHEART OF M. BRISEUX
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stump of a pencil. "The few scrawls I shall make here will be your alms."

He spoke of effort, but it is a fact that I made little to comply. While I resumed my familiar attitude in front of Harold's canvas, he walked rapidly across the room and stooped over a chair upon which a mass of draperies had been carelessly tossed. In a moment I saw what had attracted him. He had caught a glimpse of the famous yellow scarf, glowing splendidly beneath a pile of darker stuffs. He pulled out the beautiful golden-hued tissue with furious alacrity, held it up before him and broke into an ecstasy of admiration. "What a tone—what a glow—what a texture! In Heaven's name, put it on!" And without further ceremony he tossed it over my shoulders. I need hardly tell you that I obeyed but a natural instinct in gathering it into picturesque folds. He rushed away, and stood gazing and clapping his hands. "The harmony is perfect—the effect sublime! You possess that thing and you bury it out of sight? Wear it, wear it, I entreat you—and your portrait—but ah!" and he glared angrily askance at the picture: "you'll never wear it there!"

"We thought of using it, but it was given up."

"Given up? Quelle horreur! He hadn't the pluck to attack it! Oh, if I could just take a brush at it and rub it in for him!" And, as if possessed by an uncontrollable impulse, he seized poor Harold's palette. But I made haste to stop his hand. He flung down the brushes, buried his face in his hands, and pressed back, I could fancy, the tears of baffled eagerness. "You'll think me crazy!" he cried.

He was not crazy, to my sense; but he was a raging, aimless force, which I suddenly comprehended that I might use. I seemed to measure the full proportions of Harold's inefficiency, and to foresee the pitiful result of his undertaking. He wouldn't succumb, but he would doggedly finish his task and present me, in evidence of his claim, with a dreadful monument of his pretentious incapacity. Twenty strokes from this master-hand would make a difference; ten minutes' work would carry the picture forward. I thrust the palette into the young man's grasp