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TRIANGLES OF LIFE
11

He shook it off, or lifted his mind from under it. He had gone through so much that he had this power: that he could do this at will almost. The moon rose over the scrub, and all things softened. It was cool, and even growing chilly, as drought nights do grow, and he drew the blanket up over Billy, who never stirred. Then he leaned back against the corner sapling, when he heard his voice called; the close, yet far away call, very distinct. "Robert!" His elbows jumped to his sides as he straightened, but he'd heard that voice before. Then, clear and distinct: "Read, Robert—read!"

At the first start he thrust out his hand towards Billy, and his hand touched Billy's hand, which lay, palm up, on the saplings; he was drawing back with a momentary sense of shame at his fear when Billy's fingers closed over his, as a sleeping child's might. Then he looked up, and across, and set his mind to read. Then gradually the "Four Lanes" took shape, and he saw the cool green, peaceful English scene, as Billy had. The ground mist was "coming up," and dusk coming on—dusking the moonlight at first—and he saw two figures coming, or seeming more to float toward him from the direction of Shepperton-on-Thames—as in a picture from the dawn of memory. Then suddenly the figures were close to him and plain—save the faces. The girl wore a dark jacket, such as worn in England five or six years ago, and a dark hat with much forward brim, held down to hide the face, which always gives a girl a more hang-dog and guilty look than any slouch hat worn any way can