The parlour with a long table piano at one end and a small-paned window at the other—like one of our narrower ones laid on its side to fit the inn. A model of a ship over the mantel and above it a portrait of the landlord's own ship. For he was a youngish man-o'-warsman, retired on rheumatism, and his wife a youngish woman with reddish hair, the last and only surviving child of a long line of village publicans. They were childless, and during his rheumatic attacks she referred to him to gentlemen customers as "her baby." There was a hole into the bar, opposite the piano, through which the landlord might serve drinks—and keep an eye on his wife. Clients, for whom the landlord refused to "slate it" further until settled with, made grumbling and nasty comments about babies.
The long side parlour, sacred to Leonard and his equals and one or two of the elders, and doubly sacred on Club or meeting nights when births, deaths, accidents and widows and orphans were provided against, or arranged for, or disposed of. Then the solemn conclave would relax.
Leonard, who always said " As the sayin' is," and would be indicated, particularized and disposed of right off and at once and for ever in the Bush by some variation of his habitual expression. "The Sayin' Ass," for instance.
He would like to say a few words, as the sayin' is. He had heard, as the sayin' is, all as had been said, as the sayin' is, here this afternoon, as the sayin' is. Now, gentlemen, as the sayin' ——He started to
