the Trojan Women generally avoid addressing him. (Cf. pp. 48, 67, 74.)
P. 24, l. 256, The haunted keys (literally, "with God through them, penetrating them").]—Cassandra was his Key-bearer, holding the door of his Holy Place. (Cf. Hip. 540, p. 30.)
P. 25, l. 270, She hath a toil, &c.]—There is something true and pathetic about this curious blindness which prevents Hecuba from understanding "so plain a riddle." (Cf. below, p. 42.) She takes the watching of a Tomb to be some strange Greek custom, and does not seek to have it explained further.
P. 26, l. 277, Odysseus.]—In Euripides generally Odysseus is the type of the successful unscrupulous man, as soldier and politician—the incarnation of what the poet most hated. In Homer of course he is totally different.
P. 27, l. 301, Burn themselves and die.]—Women under these circumstances did commit suicide in Euripides' day, as they have ever since. It is rather curious that none of the characters of the play, not even Andromache, kills herself. The explanation must be that no such suicide was recorded in the tradition (though cf. below, on p. 33); a significant fact, suggesting that in the Homeric age, when this kind of treatment of women captives was regular, the victims did not suffer quite so terribly under it.
P. 28, l. 310, Hymen.]—She addresses the Torch. The shadowy Marriage-god "Hymen" was a torch and a cry as much as anything more personal. As a torch he is the sign both of marriage and of death, of sunrise and of the consuming fire. The full Moon was specially connected with marriage ceremonies.
P. 30, l. 356, Loxias.]—The name of Apollo as an Oracular God.
Pp. 30–34, ll. 360–460, Cassandra's visions.]—The allusions are to the various sufferings of Odysseus, as narrated in the Odyssey, and to the tragedies of the house
