upon the celerity, if not the "poetry of motion"—upon genuine happiness, rampant and unrestrained—go down to Louisiana, and see the slaves dancing in the starlight of a Christmas night.
On that particular Christmas I have now in my mind, a description whereof will serve as a description of the day generally, Miss Lively and Mr. Sam, the first belonging to Stewart, the latter to Roberts, started the ball. It was well known that Sam cherished an ardent passion for Lively, as also did one of Marshall's and another of Carey's boys; for Lively was lively indeed, and a heart-breaking coquette withal. It was a victory for Sam Roberts, when, rising from the repast, she gave him her hand for the first "figure" in preference to either of his rivals. They were somewhat crest-fallen, and, shaking their heads angrily, rather intimated they would like to pitch into Mr. Sam and hurt him badly. But not an emotion of wrath ruffled the placid bosom of Samuel, as his legs flew like drum-sticks down the outside and up the middle, by the side of his bewitching partner. The whole company cheered them vociferously, and, excited with the applause, they continued "tearing down" after all the others had become exhausted and halted a moment to recover breath. But Sam's superhuman exertions overcame him finally, leaving Lively alone, yet whirling like a top. Thereupon one of Sam's rivals, Pete Marshall, dashed in, and, with might and main, leaped and shuffled and threw himself into every conceivable shape, as if determined to
