The carriage stopped in front of an ancient mansion, built in that odd mixture of Spanish and French style, of which there are specimens in some parts of New Orleans. It was built in the Moorish fashion,—a square building enclosing a court-yard, into which the carriage drove through an arched gateway. The court, in the inside, had evidently been arranged to gratify a picturesque and voluptuous ideality. Wide galleries ran all around the four sides, whose Moorish arches, slender pillars, and arabesque ornaments, carried the mind back, as in a dream, to the reign of oriental romance in Spain. In the middle of the court, a fountain threw high its silvery water, falling in a never-ceasing spray into a marble basin, fringed with a deep border of fragrant violets. The water in the fountain, pellucid as crystal, was alive with myriads of gold and silver fishes, twinkling and darting through it like so many living jewels. Around the fountain ran a walk, paved with a mosaic of pebbles, laid in various fanciful patterns; and this, again, was surrounded by turf, smooth as green velvet, while a carriage-drive enclosed the whole. Two large orange-trees, now fragrant with blossoms, threw a delicious shade; and, ranged in a circle round upon the turf, were marble vases of arabesque sculpture, containing the choicest flowering plants of the tropics. Huge pomegranate trees, with their glossy leaves and flame-colored flowers, dark-leaved Arabian jessamines, with their silvery stars, geraniums, luxuriant roses bending beneath their heavy abundance of flowers, golden jessamines, lemon-scented verbenum, all united their bloom and fragrance, while here and there a mystic old aloe, with its strange, massive leaves, sat looking like some hoary old enchanter, sitting in weird grandeur among the more perishable bloom and fragrance around it.
The galleries that surrounded the court were festooned
