not mentioning her condition; only once when she went out with her painting paraphernalia did Mrs. Rasmussen ask her anxiously if she did not think it unwise. She had worked hard at first, standing behind a stone fence with her field easel, which threatened to be upset every instant by the wind.
Below the stone fence the stubby rye field sloped towards a swamp where the bog bean round the bluish water pools was whitening, and velvety black peat stacks stood piled on the grass. Beyond the swamp were the chalk-white peasants' huts set in rich dark green groves and surrounded by meadows, stubbed rye fields, and turnip land as far as the water's edge. The beach was cut into tiny bays and points, the sand and the short dried grass making it look a whitish yellow. To the north a heather-brown hill with a windmill on top sloped down towards the bay. Light and shadow flitted alternately over the landscape as the clouds travelled across the wide, ever restless sky.
When Jenny got tired she lay down by the fence, looking up at the sky and out over the bay; she could not stand for long at a time, but it made her only more eager. Two small pictures painted from the fence were finished, and she was pleased with them; a third one she painted in the village, where the low whitewashed houses with thatched roofs almost covering the windows, and climbing roses and dahlias in the gardens, stood along a velvety green ditch, and a red brick church stretched its gabled tower above the foliage of the vicarage garden. But it made her nervous when people came to look at her, and flaxen-haired youngsters clustered round her when she was painting. When the picture was finished she moved with her easel again to the stone fence.
In October the rain came, pouring down for a week or two. Now and again the skies cleared a little, letting out a sickly yellow ray of light between the clouds over the hill with the pitiable willows, and the puddles in the road lay shining a
